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Genesis of Scientific Discovery: Albert Einstein

" When I was asked" a friend confessed, "because I had just discovered the theory of relativity, it seemed that this was due to the following circumstances. The normal adult never worries about the problems and space. Everything you need to think about it, in his opinion, has already been thought of in its infancy. I, on the contrary, I grew so slowly that I began to ask me questions about space and time only when I was an adult now. Consequently, I studied the issue more thoroughly than would an ordinary child. "One could not be more modest, or to define intuition more easily. (taken from Arthur Koestler, The act of creation , Ed Astrolabe, pag.165 )

It never fails to amaze that his total disinterest in playing the role of genius that the media were eager to give it!

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"Fortune favors a prepared mind" Louis Pasteur


In the spring of 1879, Pasteur - who was then 57 years - was studying chicken cholera. He had prepared cultures of the bacillus, but for some reason interrupted this work and the crops were left unattended in the lab all summer. In early autumn, however, he resumed his experiments. injected the bacillus to several chickens, but unexpectedly did not have a mild disease and then recovered. Pasteur concluded that the old crop had failed, and he obtained another crop of virulent bacilli taken from chickens affected by a new outbreak of cholera. Also bought a brand new batch of chickens and injected fresh culture to both new and old. I recently purchased chickens all died in due time, but, to his surprise, the old chickens, which had previously been injected with the culture to occur, all survived.
An eyewitness described the scene that took place when Pasteur was aware of this curious fact. "He remained silent for a minute, then cried as if he had a vision: 'Do not you see that these animals have been vaccinated." (1)

Writing Pasteur found online in several versions, has little to do with that analyzed by Moretti in the book "The Great write" substantial containment of the widths of letters and letters of support for memory and observation Indeed, vertical impulse (intense inner dialogue), initiative (Angola A) and tenacity (angle B), strong layout control (Twisting) make his famous statement " Fortune favors a prepared mind " without 'is more applicable to him: it is true that provides powerful insights (Uneven methodically) but it is equally true that worked so tirelessly to create experimental situations which can confirm or deny his insights.

1. Arthur Koestler, The act of creation, and Astrolabe

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Genesis of Scientific Discovery: Michael Faraday
























"The Faraday thought it was almost completely visual and surprisingly alien to mathematics. He was not brought in mathematics, nor had he received formal education in this area that is completely ignored, except for the simplest rudiments of arithmetic. Yet he could 'see' the tensions surrounding the magnets and electric currents appear as curves in space, and coined the phrase 'lines of force' to describe. (...)
Faraday saw the universe as composed of these lines of force and saw the light as electromagnetic radiation. His insights led to a purely imaginary non-simple theories but practical results, including the invention of the dynamo and electric motor. Hermann von Helmholtz
In 1881, one of the greatest mathematical physicists of his time, paid homage to the genius of Faraday, in his speech in memory of the scientist

"It 's all the more amazing considering the large number of general theorems, whose deduction method requires the highest skills in mathematical analysis, he discovered thanks to a kind of intuition, with the certainty of instinct, without the aid of a single mathematical formula. "(1)

Writing Faraday, in fact, shows little aptitude for mathematics. What is striking, being a physicist, is the considerable vagueness in the writing formal (discarded). So the mind works primarily through the conceptual intuition (Uneven methodical Triple-width width between words uneven) and emotional empathy (Leaning Filiform), alternating moments of adherence to these sudden twists (Twisted), which involve sudden checks. This motion control is the main attraction to the concrete objective.
The writing is very obscure, and difficult to control may be based on objective data, seen as the raw material of the work of an experimental physicist. Perhaps this explains why the current energy perceived mainly as the personality is more equipped to sense psychic and telepath (Filiform, pendant).


1. Larrey Dossey, the soul-searching, Sperling & Kupfer Editori

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Missing: John Luisetto
























Many of those who detail the history of graphology morettiana appears not to understand why the powerful psychological view ica graphology and developed by M
Oretti, the founder's death has found itself split in two: one part to the ffascinante
appearance organization and teaching, which revolved around the great soul of the father and the Institute Lamberto G. Torbet Moretti Urbino, on the other fascinating aspect of the power of the Moretti psychodiagnostic, embodied by the great soul of his father John Luisetto, which has remained alien to the educational life of the Institute. And despite the fact that the two have deep mutual respect, it should be acknowledged that represented two of graphology morettiana fact that, for some strange reason still mysterious, as they remained the years passed more and more evident totally split.

In practice there was the fact that, despite Moretti had identified himself in Luisetto the most knowledgeable of his method, in Urbino turned insistent rumors that claimed that, in reality, the father of graphology analysis Luisetto, so devoted to Moretti, were a little 'bust. On the front lines were equally dramatic: Luisetto, if questioned about it, did not bother to soften its strong view that in Urbino was taught graphology by people who had no real expertise on the subject.

However it happened, we are now facing a real stroke of a pen: the elimination of all (with the exception of the Treaty) introductions to reprints of books by John Luisetto Moretti.

I do not know what the official version of a fact which is obviously the final blackout of what Moretti considered, in many respects, his heir.
Given the historical and psychological impact of those introductions, it is a great loss of culture morettiana graphology. So there is a limited operation to the obscuring of a simple person, even so significant in the history of graphology morettiana, but it is the artificial creation of a vacuum to erase the personal wealth of knowledge held.

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Telepathy, clairvoyance and the like: Edgar Cayce

























Hanussen From the mundane, always hungry for money, sex and fame, let the mystic Edgar Cayce, whose mission was " be able to make manifest the love of God for man ".

Edgar Cayce (1877-1945), famous American clairvoyant, gave his telepathic communications, or median, entering a state of deep trance. His most stunning readings were those of a doctor because, without any specific culture in that regard, was able to make very precise diagnosis and provide detailed therapeutic indications using a highly technical language, earning praise in an article in the New York Times. His incredible ability
diagnostic and therapeutic nature of the paranormal, it is widely documented.
But ... as he did? Came into contact with what?
























Looking at the signing of Cayce, is exactly the kind of Hanussen the opposite, because what characterizes function is a strong intuition (strong Uneven methodically, Slender) combined with a clear focus very, very sector (Hold letters). In fact, the
his prodigious pipes were just like this: a meticulous, detailed medical definition (as a fluency technique) on a specific case, but not theories or understandings that were in no way generalizable, and therefore of some value outside of the individual.
mysteries and wonders of the human mind!

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Telepathy, clairvoyance and the like: Erik Jan Hanussen


As I read somewhere, amazing telepathic qualities should stand on a special function or sensation or function on an extraordinary intuition. The two functions, of course, proceed in the opposite way, yet they provide interesting to identify personality traits in the writing of those who have to do with the paranormal.
Unfortunately, the most famous characters of the last century that have focused attention on the psychological level handwriting you can find very little. But given the extreme interest of those who go for, personally I can live with even a glimpse of their signature.

So i start with Erik Jan Hanussen (Vienna 1889 - Berlin 1933): magnetic eyes that can hypnotize, great magician, psychic, seer, diviner, astrologer and graphology, although not interested in the analysis of personality (too trivial), but to human destiny.

Hanussen has a natural talent, but also has a strong commitment to its subject, in order to take full effect by its representations. Before the borders with quackery, then it becomes a skilled magician, but it is also clear its capacity to medium, to make contact with something and make on the basis of this contact, forecasts or psychic readings. Hanussen, a bit 'as Rasputin, who has often been compared to the intertwining of his personal history with the powerful at the time, can become so professional in his performances, to create for himself great fame, a lot of money, really exaggerated, intense sexual activity of manipulation, through which attracts even more to him all who were in search of strong emotions, friendships powerful and dangerous (The Nazis) which eventually boomerangs back upon him.

Needless to say, conjuring requires great powers of observation and great memory material, including the ability to perform extraordinary numbers "guess" requires a memory to remember a huge number of tricks and combinations. In this capacity we are all safely within the scope of a highly developed feeling function (Accurate, Sandwiched between letters), a hypothesis that is confirmed by the signature.
and clairvoyance?
Hanussen knew that his "trance" was not just a freak show: there was a real power, which, however, escaped his control.
From the Jungian point of view, whereas the feeling was fully articulated and under control, that intuition, being lower, it could enable exceptional "centers" or grand illusions. But the intuition
taken in response to his ability to see, so Photograph, all the reality around him. It 'clear that the ability to see everything, but really all the material world that is around it, including the emotional body denser and therefore more disturbing (or write Marked Grossa), what I usually tend to fade because they do not support him, allows you to develop an ability to attach to the material reality the opposite function: insight, through which appears the mystery, the other face of reality, one related to becoming more concrete that appearances hide.

(The second photo is taken from the book by Mel Gordon, The Wizard of Hitler , Oscar Mondadori)

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La Divina Eleonora


Eleonora Duse (1858-1924) is the "divine" by definition, subject of fanaticism, greeted with standing ovations everywhere, covered with tributes, pursued by charges of delirium.

" What is so unique and special? Not an amazing beauty and sensuality that makes a body or wild fantasy in itself. Rather, it is pale and skinny, his face devoid of makeup (not I never wore, nor the scene nor out) dug in features irregular and uncertain. And yet emanates a thrilling sense elsewhere. E 'soul reflected in the face, especially in the eyes huge, fishing areas in mysterious glow. Ed is a talented modern interpretation, not only because of the absence of rhetoric and the essence of the gesture, a feature unusual in an era of flashy and declamatory recitations, but in the ability of metamorphosis from time to time makes it wonderful or wicked, witty and sensual, decrepit or girl, cast as Ophelia and Desdemona as gentle or ferocious like a wild animal, as the chronicles tell of Zola's Therese Raquin his first great triumph in Naples. 'Being' the character: this was the Duse. Become not take the externality, but with re-creating the original poetic truth, according to a method similar to that of Stanislavsky and on a line to the future, the same that would have led to the Actor's Studio and at the top players in the American cinema of the last decades of the twentieth century. "

Leonetta Bentley writes journalist in the daily La Repubblica (June 1, 2008), which presents a portrait of Duse highly concordant with the results from the analysis of handwriting, which is dominated by the sign Slender. So we are faced to intense and impetuous merger two sizes of heart and mind, combined with exceptional originality of expression (Uneven methodically, Angles A). The personality is also characterized by the ability to perform immediate analysis (Detached at times) and consequent rapid adjustments (Fast, Sleek, Sever), which allow for effective coordinated action to that of other actors present in the scene.
The complex of signs data to determine the suitability for all intense and active roles of expression, as well as stroncanti (hard to conceive, for example, passive female roles or sweet) in which the expression is enhanced by emotion and external security (Ricci subjectivism very marked).
The strong dynamism that characterizes it, marked by substantial simplification of the psychological issues represented, which suggests the impossibility of representing different roles to that core passion that belongs to his nature, is characteristic that belongs to the actors of modern cinema that needs to adapt quickly, impulsive, complex, and a remarkable indifference to the established forms of expression. Dated
, however, is the emphasis on the markup, which does not belong to the modern taste of the sentiments expressed in a lively but not too loaded with emotional and volitional.